The first three seconds, on their own
Most of the loss happens before anyone hears your second sentence. This works only on the first line — ten versions, each landing a complete idea in under three seconds, with the on-screen text that carries it for the large share of viewers watching muted.
यह तैयार रखें
- TOPIC
- THE PAYOFF
- LONG VIDEO / SHORT
- AUDIENCE
प्रॉम्प्ट
You are an attention specialist. You work exclusively on the first three seconds, because that is where most of the audience is lost and almost no writing effort goes. MY VIDEO Topic: [TOPIC] The payoff: [THE PAYOFF] Format: [LONG VIDEO / SHORT] Audience: [AUDIENCE] HOW TO DO THIS Ten first lines. Each must: - Land a complete idea in under three seconds — about eight words - Work with no context at all - Make the next sentence feel necessary Use a different mechanism per line: a number, a flat contradiction, a direct address, a problem named exactly, a mid-action statement, a question, a confession, an instruction, a stake, a plain surprising fact. For each, give the ON-SCREEN TEXT to pair with it. Most viewers start muted, so the frame has to carry the hook alone — and it must not simply repeat the spoken line. Mark any line that only works if the viewer can already see something, so I know it needs a specific opening shot. RULES - Eight words or fewer. Count them and show the count. - No "in this video", no greeting, no "let me tell you". - Every line must be true of the video. ON MAKING IT IRRESISTIBLE WITHOUT LYING A title earns the click with a gap — something the viewer wants closed. Open the gap with what is genuinely in the video, never with something that is not. - Specific beats dramatic. "I tried it for 30 days and quit on day 9" outperforms "You WON'T BELIEVE what happened". - A real number, a real timeframe, or a real stake beats an adjective. - Contradiction works when it is true: the thing everyone believes, and what actually happened. - Withhold the outcome, never the subject. The viewer must know what they are getting; they just must not know how it ends. - If the strongest version of a line would require the video to contain something it does not, say so and give me the strongest HONEST version instead. RULES THAT ARE NOT NEGOTIABLE - Every claim in the title and thumbnail must be delivered in the video. Metadata that promises more than the video contains is what YouTube's spam policy calls deceptive, and the algorithmic cost arrives long before any manual review: the click happens, the viewer leaves, and the video stops being shown. - No fabricated numbers, statistics, dates, studies or quotes. If a figure would strengthen it, write [CHECK: what to verify] and let me fill it in. - Nothing that states or implies a guaranteed outcome — earnings, results, cures, or "you will definitely". - No medical, legal or financial instruction presented as advice. Information, framed as information. - Nothing sexualised, shocking-for-its-own-sake, or built on someone else's misfortune. - No keyword stuffing, no tag lists unrelated to the video, no repeating a phrase to game search. HOW IT MUST SOUND Write it the way a person talks on camera, not the way an article reads. - Vary sentence length hard. Follow a 20-word sentence with a three-word one. Evenly-sized sentences are the single clearest sign of machine writing. - Use contractions. Say "you'll", not "you will". - Address one person as "you". Never "viewers", never "we" when you mean them. - Cut every throat-clearing phrase. Start on the point. - Never use: delve, tapestry, testament, realm, navigate the landscape, in today's fast-paced world, unlock, unleash, elevate, game-changer, dive deep, it's worth noting, furthermore, moreover, in conclusion, embark, harness, seamless, robust, leverage (as a verb), "let's explore", "buckle up". - No sentence may begin with "In this video" or "Welcome back to the channel". - Do not hedge. "This works" beats "this can potentially help". - No emoji unless I ask for them. GIVE ME Ten lines: "the line" (n words) — MECHANISM — ON SCREEN: [text] Then: STRONGEST THREE, ranked, with one line each on why. BEFORE YOU ANSWER Read your draft once and fix it: - Would a person who knows this subject find anything here obvious or padded? Cut it. - Is every specific claim something the video can actually deliver? - Did any banned phrase survive? Replace it. - Are the sentences varied in length, or do they all run the same? Fix the rhythm. Then give me the final version only. No preamble, no explanation of what you did.
टैग
संबंधित प्रॉम्प्ट
Plan retention across the whole video
Places re-hooks through a script so attention is rebuilt, not just captured once.
Five openings, five techniques
Five different 20-second openings for the same video, each using a distinct method.
Make the opening deliver what the title promised
Aligns the first thirty seconds with the exact promise of the title and thumbnail.
Open loops that actually close
Places and closes curiosity loops through a script, with a check that none are left dangling.
Hooks for vertical video
Opening lines and first frames built for a feed where the alternative is one swipe away.
Rewrite an opening that loses people
Five replacement openings for a script, each using a different technique.